I miss Paris Métro. I miss our futile attempts to read the Métro map. I miss Parisians' effortlessly chic outfits and modernistic ads that oddly harmonize with dim, historic stations. I miss taking photos of approaching trains. I miss the feel of déjà vu in old, metallic trains. I miss the amicable chuckles as we mispronounced the stations. I miss the days when my biggest troubles were figuring out where, when and what to explore at Paris. I miss myself.
一帮懂电影的人做出的娱乐片导演Jerry、摄影Adam和剪辑Walter Murch后来又在《国产精品久久久久久人妻精品》里联手编剧兼联合制片人Bruce Joel Rubin后来有《母亲とが话しています免费》还与Michael Tolkin合编了《聊斋艳谭》开篇搬家把雕像吊到窗边一段剪辑神了;男女主头尾两次爱抚一次低调照明一次高调;女主独自玩弄玻璃瓶一场先特写后全景而瓶子声音一直是很响很近的感觉;男主第二次去地铁月台一段第一个镜头是广角对称构图仰拍线条夸张与他气冲冲的心情很匹配;高潮戏中反派Karl追逐两女性时剪辑上以动作为主好几句台词都是没有相应嘴型的也看不清;最后一场天堂之光亮起后在拍两位女性时光效做的是闪烁的火光这想法不寻常而又非常合宜